Slow Art Day 2024

The Red Awl was one of three venues in Arizona participating in Slow Art Day April 13, 2024, a worldwide event that promotes extended looking as a way to engage with art.

Entrance to The Red Awl displaying the Slow Art Day sign

Main Street entrance to The Red Awl

We featured four tiny ink on paper drawings by Karen McClanahan, excerpts from a bookwork (four of thirteen distinct original “plates” intended for reproduction in a handmade publication). They are small – measuring in at 1 in. by 1-5/8 in. – slightly larger than a postage stamp. The size of the work offers a unique way in to slow looking as the intimate scale of the artwork insists on a close view. At this scale, slowing down is imperative. McClanahan meticulously drew the tiny abstract compositions using a Bic ballpoint pen, a Micron pen, a straightedge ruler, a steady hand, and high-powered reading glasses.

Original drawing titled Ink Vs Ink

Ink Vs. Ink, 2024, ink on paper, image: 1 x 1.625 in.; sheet: 4 x 8.125 in.

Original drawing titled Wedged

Wedged, 2024, ink on paper, image: 1 x 1.625 in.; sheet: 4 x 8.125 in.

Original drawing titled Exoskeletal

Exoskeletal, 2024, ink on paper, image: 1 x 1.625 in.; sheet: 4 x 8.125 in.

Original drawing titled Eddy

Eddy, 2024, ink on paper, image: 1 x 1.625 in.; sheet: 4 x 8.125 in.

Upon arrival, our visitors were asked to sign our antique ledger guestbook and invited to read a short statement describing the Slow Art initiative as well as an introduction to McClanahan’s work.

Antique ledger book used as a guestbook

antique ledger book used as a guestbook

Next, we encouraged visitors to look at the tiny drawings – first with an unaided eye and then with a magnifying glass, which allowed them to see the details up close.

Various styles of magnifying glasses in white trays on display inside the window

selection of magnifying glasses available for close viewing

Magnifying glasses set out with interpretive materials for viewing artwork

magnifying glasses and interpretive materials to aid in viewing

Visitor using a magnifying glass to get a closer look at artwork

a visitor takes a close look at the original drawing Wedged

After viewing the works, visitors moved on to view a portfolio with the additional original book “plates” and the finished book Ink Vs. Ink.

Book titled Ink Vs Ink displayed on a wooden background showing the cover

Ink Vs. Ink, 2024, bookwork, 31 sheets, hand embellished cover, 4.125 x 8.25 in.

Seeing the larger context of the four works was important in order to show visitors how the artist achieved a conceptual book narrative using pure abstraction and a humble Bic ballpoint pen.

Installation view of four tiny drawings by Karen McClanahan

installation view of the four tiny ink drawings

Installation view of Ink Vs Ink and Wedged

installation view of Ink Vs. Ink and Wedged

Installation view of Exoskeletal and Eddy

installation view of Exoskeletal and Eddy